November 5, 2016

She goes to meet Thanksgiving once again, where the full blossom of love happens. Another year gone by, but she never really changes: Still living with the most tender heart, and the keenest, sweetest nostalgia. Nostalgia is her evergoing mood.

Nostalgia is her Thanksgetting.

Writ permanently in her heart is this time, the yearly November, the time where the flowering of this life means fields of roses, iris, lilies, stargazers, the lowly carnation, peonies, tulips–fields and fields of these blooms between her world and the lands apiece of the Great Plains, the Rocky Mountains, oh Centennial State! Where the Thanksgivings are amber grass and full, leafy, unrestrained thankfulness, where the music and chants of gratitude grow so loud into crescendo’d bliss that they fly o’er the rivers of California, o’er the barren miles of dust in Nevada, o’er the Indian Reservations of Utah, above Great Basin, o’er all the species of cacti in low areas and the wild, ochre blooms in the foothills…the music of the fall heart passes through all of this.

Etched forever in her history is a purposeful Harvest of Gratitude, expecially when life is hard. Know she understands her blessings aren’t universal or common and that the goodness has been gifted to her outside of her own power. She could never create this perfection alone, but she recognizes the sweetness of Thanksgiving when it comes, and through some secret intuitiveness, she understands that it is set upon her through the mercy and love of God.

Happy Thanksgiving.


Fall again.

October 26, 2016

Brackish water seeps in every fall. There’s a dreadful quality, a dreadful worry, in the air.

What happens in October? What have the winds and crying clouds to say? The whispers begin in October, the “seasonal affective disorder” comes alive and insists on fading out the sun’s warmth and placing this sadness at the foot of the day. October is the time of whole moons and a cascade of trouble.

I watch gray air force itself to emerge over the light. I stand with my cup of coffee, noticing more the coolness of the porcelain than the heat I want to drink; I watch the leaves tumble in stop time out the window and shiver. Here comes winter. Here comes the broad hand with its sting and slap, and I duck my head to evade it. There is no match for nature, the murmuring grows louder: Winter.


Not Burst Open.

October 25, 2016

At the mirror, watching herself. A shimmy shake, a quick twitch of the hip. Grab the thick cut glass, the aromatizer, and feel it’s heavy weight. It is weighty, the glass is square and thick, belying the sweet, round light within.

Her perfume is mainly floral in its nature. It’s roses and ivy. And it is shadows and violins, a watercolor of a sandy beach, and beautiful old gospels and darkness and fading dreams and sometimes it’s tired but grateful motherhood and hopeful woman–it is a perfume of so many things. Her scent is a flower left in its early days, not burst open. It is captured, bottled sun, distilled hope and happiness, fragrant appreciation of the sweetness in her everyday life. It is the smile that covers over her heart. Her perfume lies in a bottle, it’s pretty messages waiting to be told.

The thousands of times she has held the bottle to the nape of her neck…the ritual of perfume, it has a voice. It says: come into view, be alive, be real, attract, act, be conscious of self, help, notice, show up, give, stay awake. Don’t give up. Be lovely. She watches in the mirror as she lifts the bright glass again to her throat.


On concert night.

August 18, 2016

I lie on my stomach. Dread, as real as air, fills my body and I squeeze my eyes shut.On the floor, the heavy odor of our old carpet is dank, musty. I turn my mouth and nose away, ignoring the feel of the carpet’s rough bristles.

Beside me, my 14 year old brother kneels and I crane my neck around to see him, his face set with worry, perspiration forming at the forehead, dark bangs slicked back with gel against his head. He leans over my body, the silk cloth at my back gripped in his hands. His dark eyes meet mine but he looks away quickly, concentrating on the task before him.

He says, “Okay, suck it in.”

I inhale as hard as I can, body rigid—a plank on the floor. His hands work, quickly, they feel like small birds prancing upon my back, and I wonder if Brother can fix this and I wonder if she is gone, if she has left the house. Or is she somewhere still inside, still angry?

Brother’s hands push my ribs, touch my spine. From the hallway, our grandfather clock chimes loudly and I count—five chimes. The concert rehearsals begin at 5:30 but I am too worried about the dress to care if we will be late. Exhaling slowly, as slowly as possible, I mumble into the carpet, “Is it working?”

“I think I got it. Don’t move. Take a breath again.” I do. I feel Brother grip the fabric and tug, hear the slow, mechanical sound of the zipper as my dress is closed over my back. I sob, once. I sob again—so relieved. I open my eyes, light-headed with gratitude because the dress has been zipped, because it was possible.

Brother stands up, says, “Be careful, it’s really tight. Breathe shallow.” He reaches down and takes my hand to pull me up, my body awkward with tension—the dress is very tight, the fabric so tensely pulled against my ribs, I think, “this is what a corset feels like.” Pale blue silk falls around my body as the skirt reaches my ankles, and he hands me the sash, then takes it back to tie it around my waist himself. “It looks good,” he says.

“Thank you. Thank you so much for helping me.” I want to hug him, but he is very tall and I know reaching up will the tear open the dress he just zipped up. I want to tell him how he has saved me, how everything is okay now. But he is turned away and digging through a drawer, already moving on to the next task.

“Where’s mom?” I ask.

“I dunno. I got to get my concert stuff on.” He turns, walking out, and yells, “Mom! Where’s my jacket? Hey, Mary’s dress fit. She fits.”

I swallow my relief and push aside the dizziness caused by shallow breaths and the sweet reprieve from disaster. Mom had been so angry, clearly weary: “It’s not my fault you keep gaining weight and don’t fit. If you keep it up, you won’t fit into any of your clothes. I’ve been telling you.” It was true—she had been telling me.  At 16, I am large. Not chubby, but solid somehow, heavy limbs, big thighs. Humiliating breasts.

I brush my hair, rub lip gloss over my mouth. Should I wear eyeshadow? It looks like I have been crying. My brother appears in the doorway, dressed in his concert clothes, silently mouths, “Let’s go.” I ask if mom is angry and he shrugs, saying, “Who cares?”

In the car, we are quiet. Mom does not ask how I got the dress on, she says nothing about the dress. We all three look out the windows. It is raining out, and the wheels of the car make a beautiful wooshing sound as we pull into the school lot. Pausing at the curb, mom says go inside, she will be in soon. Brother jumps out of the car, and the motion, the movement, breaks my reverie, my worry. I too prepare to get out. I open the car door and pause, but mom does not turn. I lean forward carefully, still afraid to move, and too-brightly say, “Thanks, mom!”

“Okay,” she says, putting the car into drive.


From every aspect.

August 16, 2016

You, a mountain! So many hours spent facing you, traversing swamped dark fields and flourished Edens to reach you, this mountain, with its stony face and harsh edges, with its unforgiving lines and grandvaliant dimensions. You, a beacon making its claim. From every aspect from where she stands, from every perspective, this vital peak looms before her, to the side of her, somehow unmoving and moving, somehow treacherous and safe, somehow this—you—her private rock to move toward and touch, the coarse mineral that defines you and the silken polish that life has worn onto your surface.

Alas. For months, she wandered and slept-walked and hurried off the trail that leads to you, and turned when she could from you, but the face of your summit was too beloved to abandon for long. Alack: January, when you request to see her. January, when the path looms up to meet her footfalls, and what the mountain will be when she reaches it—a gem, or agate, or quarried fulfillment or release or frustration or satisfaction—she does not know.

(The rock was warm when she lay upon it, so unexpectedly warm that her skin prickled and gooseflesh strutted over her forearms, her thighs: the quiet shock and shiver of the first moments when the chill air settles.)


June 1, 2016

From the rocks, the lady trailed her fingertips into the water, then over her keyboard, her instrument, eager to tell of what she has seen reflected in the depths of the ocean. Dependency. Compulsion.

She had her addictions and they played and called and were relentless: they pleaded to be seen and felt. Heard. It was as if, just as was done decades and decades ago when whale watchers spied from atop their lookouts mermen playing the same looping song for their lovers, the melody haunted the landscape of everyday life. Her addictions were more than ghosts because they were active: grinning skeletons dancing a jig on the rocks. She saw the bones but pretended not to.

It was this constant desire for romance and it was family history–genetics–and it was a great wish for more…these were the reasons for her addictions.

For a long time, a sea creature called dependency led forth her fate. The creature: red, foreign and dark now; familiar, white, and cool now. She is typing out all she has seen and drank and felt. She is remembering a childhood spent watching the creature and she is remembering an early womanhood spent dancing it, too. She is looking closely at it, slipping in beside it to touch it and understand its chemical appeal. Peering in close, reading its words, watching it flip around in the great waters and shimmy through all her life, vegetation, barricades, obstacles, details. She understands what she is when she couples with it: confident and courageous in the water, refreshed, invigorated by an easy swimming and the freedom to lift up and breathe. In middle age, she startles to feel a difference, to feel a menace and a dread emerge. Night after night, she has devotedly loved the creature and he has replied by plunging back into the saltwater–fulfilled and strong, ready for another night of this same dance, the synchrony of their swimming becoming a betraying chokehold that means she will—she will–drown.

She is writing outside of time, outside the lines of water and sky, keystrokes that become a tune, which become a ballad, that culminate in a thunderous and sick, great symphony here in the waters in the middle of the Year 2016. Somehow, in ordinary time, near the ruined sandcastles of dashed hopes and elusive happiness, up here against these rocks worn smooth by the incessant battering of life’s waves, here is truth: She must swim away.



May 30, 2016

I have a waking dream.

I have an obsessive fantasy. I dream of sleep, I wish for it compulsively. I find my thoughts turning toward the idea of sleep over and over again, before I can catch them and stop them from crowding out anything else. In the commute, at work, at the market, at my children’s sport functions, while writing and talking: I am secretly plotting how I may get some sleep. I am addicted to the notion of it—to the concept that there are some who get their fill of it, can have it whenever they want or need, who are satiated with it or who somehow have, almost unbelievably, too much of it.

I have never before been a jealous person, but I find I am suddenly overtaken with envy when imagining those who have sufficient sleep. I blink, not understanding, at social media posts declaring that one is “bored.” Bored? Is someone stating that they have nothing to do? That, in fact, they are not even considering sleep as an option in such a phenomenal circumstance?
I do not remember what it is to be bored, and I do not remember what it is to be rested. I do not recall having adequate sleep, not once, in nearly 15 years. I do not know what it is to sleep “soundly” or bound out of bed, reinvigorated.

I am an insomniac, and I am a mother. These two facts have placed me squarely into a box marked with the term “perpetual exhaustion.” The experience of sleeping, in itself, is a fascinating topic to me. Some people lie down and fall—without pills or alcohol or mantras or deep breathing or rituals—asleep! Some people do not take hours of thinking about sleep to go ahead and experience it. I am painfully aware that, at any given time, all around me are people who slept the night before without the angst and turmoil that comes with overwhelming fatigue accompanied by an inability to fall asleep.
I want to fall asleep easily. And then, I want to sleep until I wake up naturally—no alarm clock, no phone call, no child standing at my bed stage-whispering “mom? mom!”

I want to have nothing planned for the day—except, perhaps, more sleep.
Things I hear: “You look tired.” Yes. Because, you see, I am so tired. I look the way I feel.

“Do you ever nap?” Yes, I try to. It’s rarely a successful enterprise, and I hoard my rare opportunities to lie down during the daytime and rest. But it is invariably “rest” and not “sleep,” and I will attest that these are different things.

“Have you talked to a doctor?” I don’t want to answer this question ever again. I never want to talk to another doctor about this issue. The pills, the well-meaning yet condescending advice (take a warm bath, drink warm milk, try Yoga)—I have tried your remedies and tonics and infusions and I am too tired to finish this conversation.

I have a recurring dream. It is to sleep. To sleep and sleep and sleep and fill my cup with it, to recline in it, to wear it over me. To sleep a deep and curative sleep. To sleep so well that this dream is finally, finally put to rest.

upon the pass, where Cassandra had walked so long, alone
rocks and grit pressed up into the soles of her feet
(it became painful to walk, and she walked)
weary and lonesome, peering into the starless night
she had continued to walk and she was walking to you

she clutched her arrows and water sticks and she walked
she lie down at night in the damp earth and asked the moon for you
in the morning, she rose and walked again, then again
half-blind and cold, Cassandra came around the mountain to a pond
where you had walked and brought the sun and waited for her,

lilies clutched, like beacons, in your hand.


I know very few details about how Jo and Philip died and the reason for this is that I don’t want to hear about it. That doesn’t mean I don’t think about it, because I do.

I imagine the first moments, when Jo slipped over the tall edge of the dock. In the early morning hours, or sometimes late at night in the middle of bathing or brushing my teeth, I will imagine the first startled shouts of the men who jumped in after her. I imagine Philip. I can’t stop myself seeing in horrible technicolor the leaping bodies, all those who thought to rescue her, the splashing. I hear their raspy breaths, coming up for air and filling their lungs, plunging back down, and then doing it again and again. In the mornings when I hear and see these things, I moan into the blankets and roll over, squeezing my eyes, pushing the images far out of my mind’s reach. I imagine something else, the clothing in my closet that I will soon put on, or what wine I will pour in the afternoon for Andres. In the evenings, in the bathtub where all is quiet except for the small lapping sounds that are made in the water when I move the soap over my knees and my stomach, when the pictures come to me wholly unbidden, I swallow hard and stand, briskly drying myself with a towel from the warming bar.

I don’t dream about it, not usually. I am thankful for this one small, yet abundantly generous, thing. I had worried I would never sleep again, that the accident would take over my nights. The pamphlets on grief said that could happen, that I might not sleep. The leader of the grief crisis group was a large woman who had the most sympathetic and warm eyes, though she never looked at me straight on. After that first and only meeting, she had shuffled over slowly, as though she knew that walking directly to me with any sense of speed and looking at me directly would cause me to break. She had held out a pamphlet, printed on nubby paper that seemed to be made of fiber, and I remember thinking that this fit. That printing grief pamphlets on glossy paper would be an abhoration. I had smiled at the thought, or rather, I smiled at the absurdity of thinking such a thing at such a moment. The woman said “glad you are here” in a soft voice and shuffled back to her seat in the circle. It wasn’t until two weeks later that I looked at the pamphlet again, it had been lost under my coat and assorted papers on the passenger seat of my car. I took it to bed with me that night, reading its somber accounting of all the things I wouldn’t be able to do well again: sleep, eat, socialize, concentrate, smile. Over the last six months, I have considered each of these things, and have been relieved when first waking some mornings, realizing that somehow, despite the pamphlet and how it seemed to curse me so sympathetically and tenderly (“if you cannot sleep, consider the time as found hours. Write in your journal, enjoy a cup of tea, or pray to your Higher Power. The pre-dawn hours are a very still and quiet time to remember the loved one who has died.”). But, I do sleep. That’s why this morning I am a little unnerved, a little irritable, and why I snapped at Little Matty to hurry and dress for school (“please, what is wrong with you? Why can’t you hurry and get dressed?”). It is because for the first time in several months, I have had a nightmare. It was one of those unending, long nightmares, convoluted and seeming to go on and on, getting more menacing and complicated as it progressed. It seemed to last for hours, though I know from a psychology class I took back at Sonoma State that the entire dream must have lasted only minutes.

Wrapped in my favorite terry robe, one with arms that reach to my fingertips and a hem that flows all the way to my ankles, I walk down the hall with my coffee mug and go stand in front of the bathroom mirror. After several moments staring into my brown eyes, I sigh. The dark circles were inherited from my father, a family trait nearly all my relatives on that side bare. But the dream has left my eyes puffier and I imagine I may have tossed more than usual. My long black hair is frizzy, curly in places it wasn’t yesterday. I take my round brush, the one with the boar bristles that cost one hundred dollars, and I brush through my hair, causing it to puff up all around my face and to lay like a dark airless cloud on my shoulders. I grab a nylon rubberband, pull my hair into a low ponytail and go about brushing my teeth, scrubbing my face, applying fragrant moisturizing cream. I take a couple minutes to pluck a few dark eyebrow hairs that have shown up outside the careful arch I have worked so diligently on since I was fourteen years old. Well, my mother liked them neat, or “tailored” as she liked to say, and she hot-waxed them every other weekend from my fourteenth birthday until the weekend she died when I was twenty-eight.”Beauty is painful,” my mother would say when I would whimper, then yowl, when she pulled the cold wax away from my eyebrow, my upper lip.

I finish plucking, and feeling an almost unbearable regret for having raised my voice at Matty, I go into his room and straighten it up, bending over to pick up his football uniform, his cup that protects his 8-year old bits. I place his helmet on the shelf and stack his story books next to the bed. I think to myself that this is enough, that I have done enough work for one day, and that I still have the afternoon appointment that I need to get ready for. I have always loathed housework, but now it has become even more some kind of menace. A self-inflicted punishment. That’s an odd thought, I think. A punishment for what? I am not sure why, but I force myself to keep at it, to strip my son’s bed and lay cool, fresh sheets over the mattress. Like I’ve seen in magazines, I turn the comforter double-down, and stack the pillows in a way that no neck could lie upon them. But it is a pretty picture, it is. I feel a little better for having done it. I decide to make things even better, that I will make Matty’s favorite dinner after I pick him up, the burger-and-tater-tot casserole he has always loved, a big round pool of ketchup on the side of his old plastic Superman plate.

It is only 10:00 in the morning, but I begin to get ready to go. The drive to Mill Valley will take me at least 40 minutes. I rinse my cup and place it in the rack next to the sink to drain, feeling virtuous that the kitchen is clean and tidy, this little slice of everything having a place and everything being properly stored in my small L-shaped kitchen. The house is not large at all, it’s two bedrooms take up half it’s area, and the one bathroom is small, too. But every room was lovingly and devotedly remodeled by the previous owners. The countertops, with their caramel granite, and the cabinetry, set into the walls like cubbies. The cabinet doors are wavy bronze-tinted glass, and pieces of my mother’s china seem to shine through, the teacups and the bowls with their fluted edges. A tiny chandilier, tiny glass drops dripping from it’s brass arms, hangs above the small dining nook off the kitchen, and under my feet are maple floors, rich in color and warmed by invisible heating coils beneath the planks. It was these kinds of details that had made me want the house so much, the heating coils, the warming globe in the bathroom above the shower, the deep burnt orange paint in the living room that made even the walls seem warm.

In my bedroom, there is a makeup table, a vintage affair from the 1950s. It’s elegant curves and chipped ivory paint appealed to me when I first began to furnish the house. Hiding in the back room of an estate auction market, it was slightly run down, perhaps too authentically a part of the shabby chic aesthetic that had become so popular, but easily evoked a graceful time when women spent un-rushed minutes seated at just such vanities, carefully making themselves up, or “dollying up,” as my grandmother had called it. The whole bedroom was crafted around the little table, inspired somehow by the romantic stories I imagined it could tell. So, there are long sweeping curtains with filmy layers of lace, a tall bed with a feather comforter in a soft pink and ivory broacade, lamps with ropey silk tassles hung around their urns. A large oriental rug with a floral pattern in pale blue and mauve helped make the room feel cozy and somehow hazy and soft. Along the walls were a scattering of framed pictures depicting monochromatic shots of the backroads of West Marin. Sitting at the table, I flipped on the lamp and begin to prepare myself. Bottom to top. I have a routine. I pull a knee up under my chin and look at all of my toes, first on one foot, and then I repeat this on the other. I make certain my toenails are short and smooth, that the paint has not chipped. If it has, I dab on polish where it’s needed, and then continue on to the bottoms of my feet. They should not have any rough patches, and I take sesame oil and pour drops of it into the palm of my hand and rub it into the soles of my feet, between my toes, around the smooth curve of my ankles. Next, legs. I peer at them closely, making sure there is no stubble visible, and while I massage the sesame oil into my thighs, over my calves, I do a touch test, making sure that no hair can be felt against my fingertips. Stomach, torso. Again, the oil. Over and between the bones of my clavicle, down over forearms. On my neck, I apply a rich creme that smells faintly of gardenia. 


It’s the first real coldsnap in a good long while.

And I don’t feel the same way about the holidays anymore.

Old timey memories that aren’t memories at all but rather campaigns

For how it should be, once could have been, if things were nearer to perfect.

But anyway. The holidays now surge through bright and slick

And I wish they only came around a few times in a lifetime, not every year.

You see, we only count things very dear to us when they are very rare.

(Fa la la la laaa, la la la-la.)